In the recently canceled Chicago lesbian bar, The Muse, we watch the obsessions of the community that runs the bar violently tear them apart from one another. Loosely based on The Seagull, this irreverent queer comedy about relationships and artistic passion asks what it means to be part of a community. 

Summer camp is a place to find yourself, a home away from home, and to connect with nature. C.A.M.P., seemingly run by its quirky campers with workshops like Spoon Orchestra and Goth Clown Runway, is a camp so wholesome and unpredictable that no one even knows what the letters stand for. C.A.M.P. allows young performers to explore comedy in the insecure and awkward parts of themselves while creating community that lasts.

Dana and her four closest friends have been stuck in her Million Dollar Bunker™ for... how long again? This one-act explores the love and struggles of queer friendships and survival of the individual vs. survival of community. Welcome to the party that may never end. Bunker Play was presented in March of 2025 with Do Process and June of 2025 at UCLA.

This a 30-minute play about queer love, inspired by musical artist Samia’s debut album, The Baby. Using projection, altered time, abstraction from reality, and multiple perspectives, this story follows the unity and separation of two individuals, Sam and Em, finding their way in and out of love. Using themes from the album’s lyrics, this play creates a mosaic of a relationship that once was. Queer love, like memories, can be fragmented and nonlinear, with some parts more real or vivid than others. This is the second project to come from my theatre company Do Process in collaboration with Rhinofest 2024.

Maggie, Miranda, and Mack have been best friends since kindergarten. They grew up playing Power Puff Girls, violently fighting crime daily. We meet them once again in their early twenties where their hatred for the late stage capitalist hell-scape they are living in turns murderous. What happens when we eat the rich? Production history; Troy University ‘24, Pocket Theatre VR Workshop ‘23, Wrights of Spring ‘21

This article, published with Rescripted, covers the wants, needs, and predictions of Gen Z and American Theatre.

“When Genevieve pitched this piece about GenZ theatre I was elated, because theatre is so often stereotyped as being for older people. This smart and funny piece offers insights into the gap theatre may feel with this generation. “

Loosely inspired by the works of Samuel Beckett, Last Day is a satirical take on climate nihilism. Consumerism and late stage capitalism has led the earth into landfill dystopia that is no longer inhabitable. The play focuses on Barbie and Richie who are trying their best to make their last day a happy one. Technology, shopping, and visits from the delivery boy can only do so much to distract from the grim reality that today is the last one. Last Day was part of Rhino Fest 2023.

Petunia's is a dystopian comedic thriller that follows two off-the-grid lesbians who end up in a one-woman town. The play looks at ownership, time, relationships, belonging, generational differences, and what it means to be alone. It was produced as one of four plays in Pocket Playfest produced by Pocket Theatre VR.

Through the lens of a fictional granddaughter, Faye, this play tells the very real love story of my two grandmothers spanning from 1962 to today. Looking at queerness, substance abuse, trust, and growth, this is the play of queer joy you did not know you needed. Although Patty and Bobbie experienced many bumps in the road, their love prevailed with lots of laughs along the way.

In Issue 3 of The Orange Couch, a creative writing publication focused on feedback and collaboration, I had three poems included; Pinky Finger, ur so gay: a timeline, and Spit Me Out.

After regaining their belongings stolen away by a “guardian” scam, this mother and daughter duo struggle to patch the cracks in their relationship. Elle and Morgan love each other dearly, but sometimes familial love is not enough.

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